An Objective Quality Assessment of English into Arabic Translation: An Analysis of Interpersonal Metafunction

Representation of Gender Identity in Egyptian Students’ Graphic Adaptation of Chekhov’s “Anna on the Neck” – A Multimodal Discourse Analysis

De-Legitimating the Russian War in Ukraine in US President Biden’s Speeches: A Critical Discourse Analysis

Motivation of Code-switching by Arabic-English Bilinguals in Social Media Influencers’ Short Videos

English-Arabic Localization of Taglines on Food and Beverage Brand Websites: An Eco-Translatological Approach

Reporting the Iraq War: A Corpus-Assisted Critical Stylistic Analysis of Selected English Translations of Iraq War Poetry

The Cyborg Consciousness: Human Reality and Virtual Reality: A Close Reading of Karel Capek’s Play <i>R.U.R (Rossum’s Universal Robots) A Fantastic Melodrama and an Epilogue</i>

Surveillance Capitalism and the Critique of Social Media in Gary Shteyngart’s <i>Super Sad True Love Story</i> (2010)

Staging Absence: Postdramatic Aesthetics in Martin Crimp’s <i>Attempts on Her Life</i> (1997/2007) & Rabie Mroué and Linah Saneh’s <i>33 Rpm and Few Seconds</i> (2013)

Transcendence and Belief after Postmodernism: A Performatist Reading of Patrick Ness's <i>A Monster Calls</i> (2011)

The Search for Sincerity in the Contemporary Metamodern Sitcom <i>BoJack Horseman</i> (2014-2020)

The Problematic Nature of Periodization and the Alleged Paradigm Shifts: Courtly Love Poetry (<i>Minnesang</i>), Petrarch’s Sonnets, Goethe’s Erotic Compositions, and Brecht’s Dr