(Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010)

Illness Narratives and Audience Engagement in Linda Park Fuller's A Clean Breast of It and Susan Miller's My Left Breast

Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation

Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda

“We’re Holding our Ground”: Body Politics, Verbal/Non-Verbal Performance, and Dissent Aesthetics in Rafeef Ziadah’s Performance Poetry

The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip

A Tale of Two Revolutions: A Discourse Historical Analysis (DHA) of Selected Political Speeches during the Arab Spring of the Egyptian and Lebanese Revolutions

The ‘Megxit’ in British and American Headlines: A Critical Discourse Analysis

The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View

Breaking Stereotypes: A Multimodal Analysis of the Representation of the Female Lead in the Animation Movie Brave

Language Ideologies: Arabic and English from a Sociolinguistic Perspective