A Cognitive Stylistic Approach to Humor in <i>Norsemen</i>: Mental Wellbeing in the Viking Age

The Representation of Terrorists in Egyptian Cinema: A Conversation Analysis of <i>Al-Irhaby</i> <i>(The Terrorist)</i>

‘ItsMyDam’: Proximization and Framing Strategies in the Renaissance Dam Crisis Discourse: A Critical Cognitive Case Study

Into the Feline Umwelt: An Exploration of Eliot and Shawqi’s ‘Mind-style’ Conceptualization of Cats

An Investigation of Sexism in Egyptian Colloquial Arabic in Khaled Al-Khamissi’s <i>Taxi</i>: A Feminist Stylistic Analysis

Overshadowed by Neo-Orientalism: The Odyssey in Fadia Faqir’s <i>Willow Trees Don’t Weep</i>

Cities in Life-Writing Narratives: A Geocritical Reading of Hadiya Hussein's <i>Beyond Love</i> (2003) and Radwa Ashur's <i>Al-Tantouria</i> (2010)

Muslim-Canadian Women’s Enunciations: Sofia Baig’s Performative Identities

Multimodality in Franz Kafka’s <i>The Castle</i> and its Movie by Konstantin Seliverstov: A Reading in the Light of Reception Theory

A Multimodal Analysis of Gender Representation in “Men vs. Women Memes”

At the Intersection of Journalism, Literature, and Blogging: Negotiating Resistance in Riverbend’s <i>Baghdad Burning: Girl Blog from Iraq</i>