“Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses

Caught in Circular Time: Spatiotemporal Narrative Concerns in Cloum McCann’s Let the Great World Spin

Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun

Perceiving the Worlds of Caryl Churchill Top Girls and Fatḥīyah El ʻAssāl Without Masks in Relation to Dramatic and Cinematic Techniques

Narrative Temporality and the Power to Change in Kate Atkinson's Life after Life

Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's <i>A Quarter Citizen</i>

Engaging the Senses to Make Sense: Performing Autoethnography in Selected Poems by Two Poet/Educators

Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook

Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik

Narrating Tarell Alvin McCraney's The Brother/ Sister Plays

Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004)

Roz Chast’s Can’t We Talk about Something More Pleasant (2014) and Kawthar Younis’s “A Present from the Past” (2016) as Multimodal Narratives of Old Age