Force Dynamics in Sadat’s Speech to the Knesset

Investigating Modality in Policy Texts: Corpus-assisted Critical Discourse Analysis of Modals in the 2030 Agenda for Sustainable Development

A Cognitive Analysis of Persona in Atwood’s <i>You Fit into Me</i>: The Reader’s Shift from Love to Disgust

How Do You Promote Tourism during the Outbreak of a Pandemic? A Multimodal Discourse Analysis of Egypt’s 2020 Tourism Promotional Film

Cartoons as Rhetorical Weaponry: A Multimodal Analysis of the Depiction of Corruption in Selected Egyptian and American Editorial Cartoons

Women Representation in Crisis Memes – Humour and Beyond: A Critical Discourse Analysis

Talking Back to the Empire of Science in Postcolonialism: The Autistic Poet Tito Mukhopadhyay as a Model

Collective (Un)Consciousness: A Magic Realist Reading of Carpentier’s <i>The Kingdom of this World</i> (1957) and Wa Thiong’o’s <i>A Grain of Wheat</i> (1967)

Victim and Victimizer: Silenced Narratives in Abdul Razaq Al-Rubai’s <i>A Strange Bird on Our Roof</i> (2013) (Ala Satehuna Ta’er Gherib)

Capitalist and De-Industrialized Identity: American “National” Allegory in John Updike’s <i>The Centaur</i> and Philipp Meyer’s <i>American Rust</i>

The Post-postmodern Reconstruction of Human Values in Karen Russell's "Vampire in the Lemon Grove," A. J. Finn's <i>Woman in the Window</i>, and Dave Eggers's <i>The Circle</i>

I’ll Make an American Out of You: Reflections on the Orientalism of Disney’s <i>Mulan</i> (1998)