INNOVATIVE PRACTICAL VISION FOR DEVELOPING THE EQUIPMENTS NEEDED FOR SCREEN PRINTMAKING LABORATORIES AND ITS IMPACT ON EXPRESSIVE MEDIA

MY OWN VISION OF CREATIVITY IN THE ART OF PAINTING -THE NOWNESS- THE EMERGENCE OF THE IDEA AND ITS EVOLUTION

THE PHILOSOPHICAL DIMENSIONS OF PSYCHOLOGICAL REFLECTIONS IN CHILDHOOD AND THEIR USE IN CONTEMPORARY GRAPHICAL WORKS

THE PLASTIC TREATMENT OF UTOPIA AND DYSTOPIA IN THE DESIGN OF ROBOT CHARACTERS IN CONTEMPORARY ANIMATION FILMS

THE DEVELOPMENT OF ARTWORK THROUGH PSYCHOANALYTIC THEORIES IN EUROPE (SELECTED SAMPLES OF THE MOST IMPORTANT WORKS OF ART)

TECHNOLOGICAL DEVELOPMENT AND ITS DIALECTICALAESTHETICS IN THE CONTEMPORARY MURALS OF GIULIO MENOSSI AND DINO MACCINI

THE MECHANISM OF READING, ANALYZING, AND CRITICIZING WORKS OF CONTEMPORARY CERAMIC SCULPTURE

A HISTORICAL VIEW OF THE ILLUSTRATIONS OF RELIGIOUS STORIES BETWEEN THE CONCEPT OF DOCUMENTATION AND EXPRESSIVE PRINTMAKING

THE ROLE OF THE PSYCHOLOGICAL CONNOTATION OF COLOR IN ACHIEVING THE PAINTER’S SELF VISION (ANALYTICAL STUDY OF SELECTED PAINTINGS)

THE MODELING SOLUTIONS AND THEIR UNIQUENESS THROUGH THE METHODOLOGY OF DRAWING INSPIRATION FROM THE