The study addresses an important problem, which is “inspiration for the elements," as it represents the source through which artists interact with the elements present in the environmental environment, and builds this intellectual and scientific connection by explaining this connection, which in turn establishes an acquaintance with the experience of three-dimensional plastic creativity. The study was conducted through seven axes, beginning with By presenting the plastic concepts and their relationship to the inspiration of existing elements, then clarifying the structural characteristics of these elements and their variation from one element to another, then how the artist interacts with them and determining his plastic goals, then treating the artistic subject and its relationship to the elements, then defining the plastic stimulus that is concerned with stimulating the interaction between the artist and the elements, then clarifying the connection. Explaining the specificity of stereoscopic formation and its relationship to inspiration, and how it is a close relationship that contributes to building stereoscopic plastic thought and affects its results, then clarifying the three-dimensional plastic solutions as the readable significance of the artistic work and representing the language of formation in formulating the work, and finally we arrive at the expressive connotations of the inspiration of the elements, where it is presented To the artistic and aesthetic data as the artist's goals in his creations, then ending with the specificity of the plastic symbol and its expressive effect.