TOWARDS SUSTAINABILITY IN MURAL ART

ETERNAL RETURN: THE RECURRING EMPLOYMENT OF THE GREEK AND ROMAN CLASSICAL TRADITION FOR IDEOLOGICAL PURPOSES IN WESTERN ART HISTORY

AESTHETIC AND SYMBOLIC VALUES IN THE HERITAGE METAL PRODUCTS OF THE KINGDOM OF SAUDI ARABIA AFFIRMING IDENTITY AND TRADITIONAL INDUSTRIES (A DESCRIPTIVE AND ANALYTICAL STUDY)

EXPLORING ARTIFICIAL INTELLIGENCE AND ITS FUTURE DATA

AESTHETIC EFFECT OF PASTICHE & PARODY IN GRAPHIC ARTS & PRINTMAKING

THE DEVELOPMENT OF ARTWORK THROUGH PSYCHOANALYTIC THEORIES IN EUROPE (SELECTED SAMPLES OF THE MOST IMPORTANT WORKS OF ART)

THE SYMBOL AS AN EXPRESSIVE EQUIVALENT IN THE EGYPTIAN PAINTER MAMDOUH AMMAR PAINTINGS

CONTEMPORARY FORMULATIONS OF PORTRAIT ART TO CONFIRM THE EGYPTIAN IDENTITY IN THE FIELD OF CERAMIC SCULPTURE (APPLIED RESEARCH)

THE CONCEPT OF RESISTANCE IN SOME WORKS OF PALESTINIAN MONUMENTAL SCULPTURE

DRAMA CONCEPT OF USING LIGHTING IN BLACK & WHITE 2D ANIMATION FILM

A HISTORICAL VIEW OF THE ILLUSTRATIONS OF RELIGIOUS STORIES BETWEEN THE CONCEPT OF DOCUMENTATION AND EXPRESSIVE PRINTMAKING

“STRUCTURAL VISUALIZATION” DRAWING AS AN EDUCATIONAL TOOL TO DEVELOP INNOVATIVE SKILLS OF ANIMATED CHARACTER CONCEPT