Things Fall Apart: Post-Apocalyptic Vision in Cormac McCarthy’s The Road

“Because Survival is Insufficient”: Pandemic Narratives in the 21st Century

The hope-sparking gloominess in Offill’s Weather and Greengrass’s The High House in the perspective of Naess’s theory of deep ecology

Flash fiction in the digital age

From Anthropocene to Symbiocene: Gaian Dynamics in Indra Sinha’s Animal’s People

An Ecological Reading In Karen Malpede’s Extreme Whether (2014

Hysterical Realism in DeLillo's White Noise and Cosmopolis Death Phobia, Hypochondria, and Religious Revival

Ecocritical Reading of Margret Atwood’s Oryx and Crake

Fiction as an Expression of Social and Environmental Commitment: An Ecosocialist Reading of Barbara Kingsolver’s Flight Behavior

Science Fiction on Stage: Dystopia in Caryl Churchill’s Far Away