Article‘Earth Matters’ in Solo Performances: An Ecocritical Study of Stephen Emmott’s Ten Billion and Chris Rapely’s and Duncan MacMillan’s 2071
Article‘Earth Matters’ in Solo Performances: An Ecocritical Study of Stephen Emmott’s Ten Billion and Chris Rapely’s and Duncan MacMillan’s 2071
ArticleDramatizing Hegemony and Counter-hegemony in Brian Friel's The Freedom of the City and Saad al-Din Wahba's Al-Sibinsa: A Comparative Study
ArticleDramatizing Hegemony and Counter-hegemony in Brian Friel's The Freedom of the City and Saad al-Din Wahba's Al-Sibinsa: A Comparative Study
ArticleAlternative Histories: Renegotiating Colonial Modernity and the Novel Form in Radwa Ἀshour’s A Part of Europe (Qit’a min Urubba, 2003)”
ArticleAlternative Histories: Renegotiating Colonial Modernity and the Novel Form in Radwa Ἀshour’s A Part of Europe (Qit’a min Urubba, 2003)”
ArticleBetween Divisions and Dialogue: A Critical Analysis of Brexit's Influence on Theatrical Representation in Leave Taking, The Jungle, Albion, and My Country
ArticleBetween Divisions and Dialogue: A Critical Analysis of Brexit's Influence on Theatrical Representation in Leave Taking, The Jungle, Albion, and My Country
ArticleNavigating Distorted Territories: “Trauma, Memory and History” in Tony Kushner’s Homebody/Kabul
ArticleNavigating Distorted Territories: “Trauma, Memory and History” in Tony Kushner’s Homebody/Kabul