SIGNS AND SYMBOLS IN EGYPTIAN TATTOOS AND AMAZIGH TATTOOS (A COMPARATIVE STUDY)

SPIRITS INSIDE/ OUTSIDE THE FRAME - A NEW FIGURATIVE REPRESENTATION FOR THE ANCIENT EGYPTIAN SYMBOL THE 'BA'.

OBJECTIVITY AS AN EXPERIMENTAL APPROACH TO CONTEMPORARY EGYPTIAN PAINTING (AMANY FAHMY AS EXAMPLE)

THE SYMBOL IN THE EGYPTIAN ARTIST’S DRAWINGS “EL SAYED EL KAMMASH”

THE DIGITAL PRINTED ARTWORK BETWEEN EXPRESSION IDENTITY AND TECHNIQUE ISSUE FOR SOME GRAPHIC ARTISTS IN EGYPT AND ABROAD

ENVIRONMENTAL ARTISTS IN EGYPT: PERSPECTIVES AND EXPERIENCES REFLECTING THE RELATIONSHIP BETWEEN ART AND THE ENVIRONMENT

CONTEMPORARY FORMULATIONS OF PORTRAIT ART TO CONFIRM THE EGYPTIAN IDENTITY IN THE FIELD OF CERAMIC SCULPTURE (APPLIED RESEARCH)

WOMEN AS A SYMBOL IN CONTEMPORARY ILLUSTRATIONS INSPIRED BY THE WORKS OF ORIENTALISTS, THROUGH (AN ARTIST BOOK)

THE ROLE OF THE PSYCHOLOGICAL CONNOTATION OF COLOR IN ACHIEVING THE PAINTER’S SELF VISION (ANALYTICAL STUDY OF SELECTED PAINTINGS)

THE HUMAN-HEADED BIRD FIGURE IN PAINTING FROM THE BRONZE AGE TO THE EARLY TWENTIETH CENTURY