INNOVATIVE PRACTICAL VISION FOR DEVELOPING THE EQUIPMENTS NEEDED FOR SCREEN PRINTMAKING LABORATORIES AND ITS IMPACT ON EXPRESSIVE MEDIA

THE DIGITAL PRINTED ARTWORK BETWEEN EXPRESSION IDENTITY AND TECHNIQUE ISSUE FOR SOME GRAPHIC ARTISTS IN EGYPT AND ABROAD

“STRUCTURAL VISUALIZATION” DRAWING AS AN EDUCATIONAL TOOL TO DEVELOP INNOVATIVE SKILLS OF ANIMATED CHARACTER CONCEPT

THE PHILOSOPHICAL DIMENSIONS OF PSYCHOLOGICAL REFLECTIONS IN CHILDHOOD AND THEIR USE IN CONTEMPORARY GRAPHICAL WORKS

WOMEN AS A SYMBOL IN CONTEMPORARY ILLUSTRATIONS INSPIRED BY THE WORKS OF ORIENTALISTS, THROUGH (AN ARTIST BOOK)

THE HUMAN-HEADED BIRD FIGURE IN PAINTING FROM THE BRONZE AGE TO THE EARLY TWENTIETH CENTURY

SPIRITS INSIDE/ OUTSIDE THE FRAME - A NEW FIGURATIVE REPRESENTATION FOR THE ANCIENT EGYPTIAN SYMBOL THE 'BA'.

THE DEVELOPMENT OF ARTWORK THROUGH PSYCHOANALYTIC THEORIES IN EUROPE (SELECTED SAMPLES OF THE MOST IMPORTANT WORKS OF ART)

TECHNOLOGICAL DEVELOPMENT AND ITS DIALECTICALAESTHETICS IN THE CONTEMPORARY MURALS OF GIULIO MENOSSI AND DINO MACCINI

THE SYMBOL AS AN EXPRESSIVE EQUIVALENT IN THE EGYPTIAN PAINTER MAMDOUH AMMAR PAINTINGS