Hybrid Identities/Hybrid Music: The Political Aesthetics of Arab Youth Musical Performances in Diaspora

Staging Absence: Postdramatic Aesthetics in Martin Crimp’s <i>Attempts on Her Life</i> (1997/2007) & Rabie Mroué and Linah Saneh’s <i>33 Rpm and Few Seconds</i> (2013)

Literary Verbatim Theatre between Actuality and Creativity: Reading of My Name is Rachel Corrie (2005)

Re-Dramatizing the Palestinian-Israeli Conflict: Representations of Trauma and Postmemory in Caryl Churchill's Seven Jewish Children: A Play for Gaza (2009)

مظاهر «المسرح في مواجهتك» داخل المشهد المسرحي اللبناني: مسرحية مشرح وطني نموذجًا

Nomadic Performativity as an Aesthetic Alternative to Communal Acts of Resistance: Dreis Verhoeven’s ‘No Man’s Land’, Brett Bailey’s ‘Sanctuary’ & Akira Takayama’s ‘Piraeus/Hetero

فضاء الصراع الدرامي والحدث المسرحي

Power and Resistance in Post 9/11 Theatre

Trauma and the Palestinian Experience in Betty Shamieh’s The Black Eyed (2005)

The Pitfalls of Hybridity as Represented in Yussef El Guindi's Ten Acrobats in an Amazing Leap of Faith