ArticleRevolutionary Violence Vs. Passive Resistance: Liberation Strategies in Amiri Baraka’s The Slave and August Wilson’s Joe Turner’s Come and Gone
ArticleRevolutionary Violence Vs. Passive Resistance: Liberation Strategies in Amiri Baraka’s The Slave and August Wilson’s Joe Turner’s Come and Gone
Article“Whiteness Hidden in Shades of Blackness”: A Psychoanalytic Fanonian Reading of Amiri Baraka’s Dutchman
Article“Whiteness Hidden in Shades of Blackness”: A Psychoanalytic Fanonian Reading of Amiri Baraka’s Dutchman
ArticleStage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”
ArticleStage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”