“THE THREE PERFECTIONS” IN CHINESE PAINTINGS

THE HUMAN-HEADED BIRD FIGURE IN PAINTING FROM THE BRONZE AGE TO THE EARLY TWENTIETH CENTURY

THE MECHANISM OF READING, ANALYZING, AND CRITICIZING WORKS OF CONTEMPORARY CERAMIC SCULPTURE

Paintings of Ceramic Artifacts in the Light of the Arabic School

THE RUSSIAN SYMBOLIST MOVEMENT (1890-1925)

THE SYMBOL AS AN EXPRESSIVE EQUIVALENT IN THE EGYPTIAN PAINTER MAMDOUH AMMAR PAINTINGS

WOMEN AS A SYMBOL IN CONTEMPORARY ILLUSTRATIONS INSPIRED BY THE WORKS OF ORIENTALISTS, THROUGH (AN ARTIST BOOK)

CONTEMPORARY FORMULATIONS OF PORTRAIT ART TO CONFIRM THE EGYPTIAN IDENTITY IN THE FIELD OF CERAMIC SCULPTURE (APPLIED RESEARCH)

THE ARTISTIC AND HISTORICAL REFERENCES OF THE EUROPEAN STYLE SCULPTURES AT BARON EMPAIN PALACE IN CAIRO: COMPARATIVE AND HISTORICAL FIELD STUDY

SPIRITS INSIDE/ OUTSIDE THE FRAME - A NEW FIGURATIVE REPRESENTATION FOR THE ANCIENT EGYPTIAN SYMBOL THE 'BA'.