SYMBOLISM OF SOME PAINTINGS ON KORYEO AND JOSEON CERAMICS FROM THE TENTH TO THE TWENTIETH CENTURIES

THE SYMBOL AS AN EXPRESSIVE EQUIVALENT IN THE EGYPTIAN PAINTER MAMDOUH AMMAR PAINTINGS

WOMEN AS A SYMBOL IN CONTEMPORARY ILLUSTRATIONS INSPIRED BY THE WORKS OF ORIENTALISTS, THROUGH (AN ARTIST BOOK)

THE DEVELOPMENT OF ARTWORK THROUGH PSYCHOANALYTIC THEORIES IN EUROPE (SELECTED SAMPLES OF THE MOST IMPORTANT WORKS OF ART)

ALIENATION IN KITSCH SINCE THE NINETEENTH CENTURY TILL THE TWENTY FIRST CENTURY

ANCIENT, COPTIC, AND ISLAMIC EGYPTIAN ARTS AS AN INSPIRATION IN ANCIENT AND MODERN WESTERN ARTS

SPIRITS INSIDE/ OUTSIDE THE FRAME - A NEW FIGURATIVE REPRESENTATION FOR THE ANCIENT EGYPTIAN SYMBOL THE 'BA'.

THE INTEGRATION OF VISUAL ARTS IN EUROPE IN THE SECOND HALF OF THE 20TH CENTURY

SIGNS AND SYMBOLS IN EGYPTIAN TATTOOS AND AMAZIGH TATTOOS (A COMPARATIVE STUDY)

THE ARTISTIC AND HISTORICAL REFERENCES OF THE EUROPEAN STYLE SCULPTURES AT BARON EMPAIN PALACE IN CAIRO: COMPARATIVE AND HISTORICAL FIELD STUDY