Psycho-analysis of disturbed identity in post-modern civilization as depicted in modern American drama

Identities at Odds: Dramatic Syncretism and Indigenous Identity Representation

الآخر ومرايا الهوية (اللغة بوصفها هوية): دراسة في ضوء النقد الثقافي

Myth as Collective Memory in Wole Soyinka’s Death and the King’s Horseman

Metadramatic Features in Athol Fugard's Sizwe Bansi is Dead (1972)

The Dynamic Formation of Memory for the Traumatized Self’s Mental Survival: An Exploration of Wole Soyinka’s Local Modes of Survival

الذات والآخر في المسرح المصري

The Dynamics of the Poetic “I”: A Selective Reading of 20th-Century “Self” Poetics

Wole Soyinka as a Nigerian Ecofeminist and an Antipathetical to Globalized Experiences

إشکالية الهوية الثقافية والعولمة في النص المسرحي العراقي المعاصر