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ArticleResurrecting the Past to Find the True African American Identity: Gem of the Ocean by August Wilson
ArticleFinding a Third Space: A Postcolonial Comparative study of Verdecchia’s Fronteras Americanas and Fugard’s Sizwe Basnsi is Dead
ArticleFinding a Third Space: A Postcolonial Comparative study of Verdecchia’s Fronteras Americanas and Fugard’s Sizwe Basnsi is Dead
ArticleA Semiotic Reading of the East Asian-Canadian Restaging of the Immigrant Experience and Redress in Marty Chan’s The Forbidden Phoenix and David Yees’s lady in the red dress
ArticleA Semiotic Reading of the East Asian-Canadian Restaging of the Immigrant Experience and Redress in Marty Chan’s The Forbidden Phoenix and David Yees’s lady in the red dress
ArticleRace, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde
ArticleRace, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde
ArticleStaging Body Politics in Tomson Highway’s The Rez Sisters (1986) and Brian Friel’s Dancing At Lughnasa (1990)
ArticleStaging Body Politics in Tomson Highway’s The Rez Sisters (1986) and Brian Friel’s Dancing At Lughnasa (1990)
ArticleAboriginal Australian Autobiographies of Postmemory and Trauma in Wesley Enoch’s Black Medea and The 7 Stages of Grieving
ArticleAboriginal Australian Autobiographies of Postmemory and Trauma in Wesley Enoch’s Black Medea and The 7 Stages of Grieving