Metadramatic Features in Athol Fugard's Sizwe Bansi is Dead (1972)

Myth as Collective Memory in Wole Soyinka’s Death and the King’s Horseman

METATHEATRICAL AND POST DRAMATIC DEVICES: AN OVERVIEW OF POST-MODERN THEATRE رؤية عامة في مسرح ما بعد الحداثة: سمات ما بعد المسرح وما وراء الدراما

Self-reflexive Identity in Wole Soyinka's Death and the King's Horseman: A Metadramatic Approach

A semiotic analysis of the Play "Malimwengu ulimwenguni"

Re-narration In The Translation Of Selected African – American Plays

مسرحية النص الروائي : المسرواية نموذجاً

Trickster in Nigerian Postcolonial Drama

Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik

العنوان في المسرح العماني Title in the Omani theater