Writing Across Borders

Carnivalesque Border-Crossings: The Fluidity of Identity in Marie Jones’ <i>A Night in November</i>

Between the Mother’s Imaginary and the Father’s Symbolic: The Dialectic of Fragmentation and Aggregation in Haydn Middleton’s <i>Grimm’s Last Fairytale</i>

Wo[e]man in the Quest for Women’s Identity: Myth and Symbolism in Angela Carter’s <i>The Passion of New Eve</i> and Youssef Zeidan’s <i>Zil Al-Afa’a</i> [The Shadow of the Serpent

A Counteractive Cognitive Approach to the Fixity of Colonial Categorical Borders in Miko Peled’s <i>The General’s Son: Journey of an Israeli in Palestine</i>

It is no Longer Possible to Go Back Home: Crossing Borders and Liminal Space in Thomas King’s “Borders”

Within the Green Line : Paradoxes of the Lives of Palestinians within the State of Israel as Represented in Ibtestam Azim’s <i>The Book of Disappearance</i> and Rabai Al-Madhoun's

The Morisco’s Last Sigh: Mirroring Cultural Encounters and Transfers between Al-Ḥajarī’s <i>Nāṣir Al-Dīn</i> and Cervantes’ <i>Don Quixote</i>

Front Matter

Memories at War or Memories in Continuum: Challenging the Borders of Memory in <i>Seven Jewish Children: A Play for Gaza</i>

The Interlocking Matrix of Oppression: A Reading of the Nameless Women in Ntozake Shange’s <i>For Colored Girls</i> and Dina Soliman’s <i>Al-ʾArayis</i>

Blurring the Boundaries between History and Fiction in Khoury’s <i>Gate of the Sun</i> and Ashour’s <i>The Woman from Tantoura</i>