Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”

Language as a Means of Power: A Comparative Study of Harold Pinter’s No Man’s Land and Alfred Farag’s Ali Janah al-Tabrizi and His Servant Quffa

Painting in Poetry: A Stylistic Analysis of Ekphrastic Poems on Pieter Brueghel’s Hunters in the Snow1

Ideologically-Induced Understatement in English/Arabic News Translation: A Critical Discourse Analysis – Socionarrative Approach

Good Tidings: Egypt’s Election Hit and the Multicultural Politics of Populist Nationalism*

Identity and Post-Colonial Discourse: Gene Luen Yang’s American Born Chinese

The Language of Ideology: Going ‘Beyond’ in Doha Assy’s 104 Cairo

Mad Women Who Run in the House: The Malestream Politics of Representation

Betrayal, Division, and the Ideology of Revolution in Arundhati Roy's The God of Small Things and Neel Mukherjee's The Lives of Others

Nationalism as Dystopia: A Reading of Sam Shepard’s The God of Hell

Gender Identity Construction in Facebook Statuses of Egyptian Young Adults

Metadrama and the Deconstruction of Stereotypes: David Henry Hwang's M. Butterfly and Bondage