Front Matter

Humanities and Social Sciences in the Digital World

Challenging Corruption and Sexism in John Maher and Maged Raafat’s <I>El3osba</I>: Between Comics and Facebook Literature

English-Arabic Code-Switching of the Arabic Language Speakers in Instant Messaging: Motivations and Structure

Facebook and the Neo-Nomads: A Study of the Work of the Egyptian Comic Artist Muhammad Wahba El-Shennawy and the Use of Comics in History-Telling

Persuasion in T.V. Advertisements: A Multimodal Analysis of the Visual Tactics in the Official Commercial of Telecom’s Egypt Mobile Network ‘We’

<I>Loving Vincent</I>: Challenging Genre Conventions in the Digital Age

Multiple Rooms with Brought Down Walls: Aleppo’s ‘Holocaust’ and Democracy of/in the American Century

Freeing Verse: Memories of War in the Three Cin(E)-Poems “Frozen, Blistered Hand,” “The Big Push” and “The Dice Player”

The Postmodern Punk Show: The Simulacral Paradigm in the Cyberpunk Narrative of William Gibson’s <I>Neuromancer</I>

Representation of Ethnic Heritage in Cyberspace: Digital Archives and Community Participation

Constructing Reality and Identity in Selected Young Adult Cyberpunk Novels