Authenticity is a common destiny among all civilizations. Each civilization was created and transmitted and had a characteristic that distinguished it among other civilizations. Thomas Arnold mentions in his book "The Legacy of Islam." Eastern forms of painting, scenes drawn on walls and pottery had a share in directing the art of painting during its renaissance in the Middle Ages. "When the Western artist was briefed on Islamic arts, such as (Genki Bellini, Leorardo da Vinci, Delacroix) it became clear that he was a prisoner of a rigid art world, as stated by "Matisse" and Paul Klee "after he visited the Maghreb, the world noticed these distinguished arts, and sought It has originality and privacy, so modern artists rushed to take advantage of the influence of life, traditions and traditional arts, as historians raced to deepen the identity of this art" "The personality of Islamic art is represented in plant or geometric abstract forms based on modification, loss of perspective, line, density or (filling the void)." The openness of the Western artist to the aesthetics of Islamic art, either through direct influence, or through modern European artistic experiences that were affected by it. The experience of the artist Pablo Picasso is at the forefront of these experiences.