OBJECTIVITY AS AN EXPERIMENTAL APPROACH TO CONTEMPORARY EGYPTIAN PAINTING (AMANY FAHMY AS EXAMPLE)

THE SYMBOL AS AN EXPRESSIVE EQUIVALENT IN THE EGYPTIAN PAINTER MAMDOUH AMMAR PAINTINGS

ENVIRONMENTAL ARTISTS IN EGYPT: PERSPECTIVES AND EXPERIENCES REFLECTING THE RELATIONSHIP BETWEEN ART AND THE ENVIRONMENT

A CONTEMPORARY VISION OF PAINTING INSPIRED BY THE LAWS OF RELIGION IN ANCIENT EGYPT

THE DIGITAL PRINTED ARTWORK BETWEEN EXPRESSION IDENTITY AND TECHNIQUE ISSUE FOR SOME GRAPHIC ARTISTS IN EGYPT AND ABROAD

EMPLOYING MONOTYPING IN CONTEMPORARY INSTALLATION

CONTEMPORARY FORMULATIONS OF PORTRAIT ART TO CONFIRM THE EGYPTIAN IDENTITY IN THE FIELD OF CERAMIC SCULPTURE (APPLIED RESEARCH)

تحليل التجربة الإبداعية للفنان "منير فهيم" من خلال إحياء الفن المصرى القديم فى التصوير المصرى الحديث والمعاصر

رؤى جمالية معاصرة للفن الادراكى فى مجالى الرسم والطباعة

SPIRITS INSIDE/ OUTSIDE THE FRAME - A NEW FIGURATIVE REPRESENTATION FOR THE ANCIENT EGYPTIAN SYMBOL THE 'BA'.