OBJECTIVITY AS AN EXPERIMENTAL APPROACH TO CONTEMPORARY EGYPTIAN PAINTING (AMANY FAHMY AS EXAMPLE)

THE SYMBOL AS AN EXPRESSIVE EQUIVALENT IN THE EGYPTIAN PAINTER MAMDOUH AMMAR PAINTINGS

A CONTEMPORARY VISION OF PAINTING INSPIRED BY THE LAWS OF RELIGION IN ANCIENT EGYPT

ENVIRONMENTAL ARTISTS IN EGYPT: PERSPECTIVES AND EXPERIENCES REFLECTING THE RELATIONSHIP BETWEEN ART AND THE ENVIRONMENT

THE DIGITAL PRINTED ARTWORK BETWEEN EXPRESSION IDENTITY AND TECHNIQUE ISSUE FOR SOME GRAPHIC ARTISTS IN EGYPT AND ABROAD

EMPLOYING MONOTYPING IN CONTEMPORARY INSTALLATION

CONTEMPORARY FORMULATIONS OF PORTRAIT ART TO CONFIRM THE EGYPTIAN IDENTITY IN THE FIELD OF CERAMIC SCULPTURE (APPLIED RESEARCH)

SPIRITS INSIDE/ OUTSIDE THE FRAME - A NEW FIGURATIVE REPRESENTATION FOR THE ANCIENT EGYPTIAN SYMBOL THE 'BA'.

رؤى جمالية معاصرة للفن الادراكى فى مجالى الرسم والطباعة

MY OWN VISION OF CREATIVITY IN THE ART OF PAINTING -THE NOWNESS- THE EMERGENCE OF THE IDEA AND ITS EVOLUTION