SYMBOLISM OF SOME PAINTINGS ON KORYEO AND JOSEON CERAMICS FROM THE TENTH TO THE TWENTIETH CENTURIES

ANCIENT, COPTIC, AND ISLAMIC EGYPTIAN ARTS AS AN INSPIRATION IN ANCIENT AND MODERN WESTERN ARTS

MY OWN VISION OF CREATIVITY IN THE ART OF PAINTING -THE NOWNESS- THE EMERGENCE OF THE IDEA AND ITS EVOLUTION

THE HUMAN-HEADED BIRD FIGURE IN PAINTING FROM THE BRONZE AGE TO THE EARLY TWENTIETH CENTURY

THE INTEGRATION OF VISUAL ARTS IN EUROPE IN THE SECOND HALF OF THE 20TH CENTURY

ETERNAL RETURN: THE RECURRING EMPLOYMENT OF THE GREEK AND ROMAN CLASSICAL TRADITION FOR IDEOLOGICAL PURPOSES IN WESTERN ART HISTORY

THE SYMBOL AS AN EXPRESSIVE EQUIVALENT IN THE EGYPTIAN PAINTER MAMDOUH AMMAR PAINTINGS

THE MECHANISM OF READING, ANALYZING, AND CRITICIZING WORKS OF CONTEMPORARY CERAMIC SCULPTURE

TECHNOLOGICAL DEVELOPMENT AND ITS DIALECTICALAESTHETICS IN THE CONTEMPORARY MURALS OF GIULIO MENOSSI AND DINO MACCINI

THE ROLE OF THE PSYCHOLOGICAL CONNOTATION OF COLOR IN ACHIEVING THE PAINTER’S SELF VISION (ANALYTICAL STUDY OF SELECTED PAINTINGS)