THE DEVELOPMENT OF ARTWORK THROUGH PSYCHOANALYTIC THEORIES IN EUROPE (SELECTED SAMPLES OF THE MOST IMPORTANT WORKS OF ART)

THE DIGITAL PRINTED ARTWORK BETWEEN EXPRESSION IDENTITY AND TECHNIQUE ISSUE FOR SOME GRAPHIC ARTISTS IN EGYPT AND ABROAD

ENVIRONMENTAL ARTISTS IN EGYPT: PERSPECTIVES AND EXPERIENCES REFLECTING THE RELATIONSHIP BETWEEN ART AND THE ENVIRONMENT

THE MECHANISM OF READING, ANALYZING, AND CRITICIZING WORKS OF CONTEMPORARY CERAMIC SCULPTURE

CONTEMPORARY FORMULATIONS OF PORTRAIT ART TO CONFIRM THE EGYPTIAN IDENTITY IN THE FIELD OF CERAMIC SCULPTURE (APPLIED RESEARCH)

TECHNOLOGICAL DEVELOPMENT AND ITS DIALECTICALAESTHETICS IN THE CONTEMPORARY MURALS OF GIULIO MENOSSI AND DINO MACCINI

A HISTORICAL VIEW OF THE ILLUSTRATIONS OF RELIGIOUS STORIES BETWEEN THE CONCEPT OF DOCUMENTATION AND EXPRESSIVE PRINTMAKING

THE PHILOSOPHICAL DIMENSIONS OF PSYCHOLOGICAL REFLECTIONS IN CHILDHOOD AND THEIR USE IN CONTEMPORARY GRAPHICAL WORKS

“STRUCTURAL VISUALIZATION” DRAWING AS AN EDUCATIONAL TOOL TO DEVELOP INNOVATIVE SKILLS OF ANIMATED CHARACTER CONCEPT

THE HUMAN-HEADED BIRD FIGURE IN PAINTING FROM THE BRONZE AGE TO THE EARLY TWENTIETH CENTURY