THE ROLE OF THE PSYCHOLOGICAL CONNOTATION OF COLOR IN ACHIEVING THE PAINTER’S SELF VISION (ANALYTICAL STUDY OF SELECTED PAINTINGS)

THE DEVELOPMENT OF ARTWORK THROUGH PSYCHOANALYTIC THEORIES IN EUROPE (SELECTED SAMPLES OF THE MOST IMPORTANT WORKS OF ART)

MY OWN VISION OF CREATIVITY IN THE ART OF PAINTING -THE NOWNESS- THE EMERGENCE OF THE IDEA AND ITS EVOLUTION

“STRUCTURAL VISUALIZATION” DRAWING AS AN EDUCATIONAL TOOL TO DEVELOP INNOVATIVE SKILLS OF ANIMATED CHARACTER CONCEPT

TECHNOLOGICAL DEVELOPMENT AND ITS DIALECTICALAESTHETICS IN THE CONTEMPORARY MURALS OF GIULIO MENOSSI AND DINO MACCINI

THE MECHANISM OF READING, ANALYZING, AND CRITICIZING WORKS OF CONTEMPORARY CERAMIC SCULPTURE

THE DIGITAL PRINTED ARTWORK BETWEEN EXPRESSION IDENTITY AND TECHNIQUE ISSUE FOR SOME GRAPHIC ARTISTS IN EGYPT AND ABROAD

SPIRITS INSIDE/ OUTSIDE THE FRAME - A NEW FIGURATIVE REPRESENTATION FOR THE ANCIENT EGYPTIAN SYMBOL THE 'BA'.

A HISTORICAL VIEW OF THE ILLUSTRATIONS OF RELIGIOUS STORIES BETWEEN THE CONCEPT OF DOCUMENTATION AND EXPRESSIVE PRINTMAKING

ENVIRONMENTAL ARTISTS IN EGYPT: PERSPECTIVES AND EXPERIENCES REFLECTING THE RELATIONSHIP BETWEEN ART AND THE ENVIRONMENT