ZORA NEALE HURSTON’S THEIR EYES WERE WATCHING GOD: STORYTELLING AND THE BLUES AS ASPECTS OF DIASPORIC SURVIVAL

Parallelism Between Women, Nature, and Features of Their Oppression in Selected Novels: An Ecofeminist Study

Oppression and Survival in Maya Angelou’s Poetry

Zora Neale Hurston's Portrait of the American Woman as a Self-fulfilled One in her Novel Their Eyes Were Watching God (1937).

Categorizing the Racist Oppression of African-Americans in Maya Angelou's Selected Poems

Staging Black Woman’s Self-empowerment and Black Feminism

Women's Literature and Gynocriticism: A Critical Study

A glimpse of Hope: Margaret Atwood's The Handmaid's Tale and Octavia Butler's Parable of the Sower as Critical Dystopias

Women, Race, and Gender in Maya Angelou's Poetry Analysis of Post-Feminism in Angelou's Poetry

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde