ArticlePossibilities [Un] locked: Questioning the Paradigm of ‘Artificial Consciousness’ and the Promise of ‘Transcendence’ in Jack Paglen’s ‘Transcendence’
ArticlePossibilities [Un] locked: Questioning the Paradigm of ‘Artificial Consciousness’ and the Promise of ‘Transcendence’ in Jack Paglen’s ‘Transcendence’
ArticleThe manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone
ArticleThe manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone
ArticleHOW NON-HUMAN THINGS MAKE US (LESS)HUMAN: POSTHUMANISM IN YOKO OGAWA’S THE MEMORY POLICE (1994)
ArticleHOW NON-HUMAN THINGS MAKE US (LESS)HUMAN: POSTHUMANISM IN YOKO OGAWA’S THE MEMORY POLICE (1994)