Self-Definition: The Historical Legacy of the Past in August Wilson’s Gem of the Ocean

Exploring Third Space: Cultural Identity and African Traditions in August Wilson's Joe Turner’s Come and Gone (1988)

The Past in the Present in Black Canadian Drama: A Study of Lorena Gale’s Angelique, George Elliott Clarke’s Beatrice Chancy, George Boyd’s Consecrated Ground and Andrew Moodie’s

Re-imagining the Past to Make a Future: Afrofuturism in Rita Dove's <i>Sonata Mulattica</i>

Re-narration In The Translation Of Selected African – American Plays

Larger than Life :Mythicizing the life and Death of August Wilson's Fences' Hero

Revolutionary Violence Vs. Passive Resistance: Liberation Strategies in Amiri Baraka’s The Slave and August Wilson’s Joe Turner’s Come and Gone

African American Female Exposure to Triple Oppression in Lynn Nottage’s “Intimate Apparel”

suzan lori Parks's Topdog Underdog :A Humanistic orRacial Viewpoint

The Power of Female Figures in Joe Turner’s Come and Gone and Two Trains Running by August Wilson