Hybrid Tongues: Language, Identity and Cultural Resilience in Marlene Nourbese Philip's Diasporic Poetics

(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warr

The Dynamics of the Poetic “I”: A Selective Reading of 20th-Century “Self” Poetics

The Self and Other in the Poetry of Lucille Clifton

Negotiating Self and Place: Counter-Hegemonic Discourse in Suheir Hammad’s Poetry

Dialogism and Native American Literature in Leslie Marmon Silko’s Gardens in the Dunes

An Intersectional Reading of Women of Color’s Multiple Identities and Differences In the Poetry of Audre Lorde

Derridean Hauntology in Selected Poetry of Maya Angelou and Lucille Clifton

Intertextual Allusions as Bakhtinian Dialogism in Elizabeth Bishop's Poetics.

From the Deliberately Tremulous to the Distinctively Powerful: The Changing Female Voice in Selected Poetry of Adrienne Rich