Black Feminism in a Twentieth-Century British Play

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

The Power of Female Figures in Joe Turner’s Come and Gone and Two Trains Running by August Wilson

Betty Shamieh's The Black Eyed: the Intersection of Gender and Race

Staged Representations of Négritude: Aboriginality and White Supremacy in Jane Harrison’s Stolen

الأرشفة المسرحية النسوية للثورة المصرية من خلال مسرحيتي "هوي الحرية" و "يوم الصدرية الزرقاء" للکاتبة ليلي سليمان.

Feminist Aesthetics: Cross-Gender Technique in Feminist Theatres

We’re Not Weak: Portraying Arab Women’s Power in Betty Shamieh’s The Black Eyed & Roar

Resistance Discourse in Nancy Morejón’s Two Poems; “Black Woman” and “Looking Within”: An Analysis

Womanism: Definition and History