Can the Subaltern Really Speak?: Analyzing the Precarity of the Subaltern in Betty Shamieh's <i>The Machine</i> (2007)

Myth as Collective Memory in Wole Soyinka’s Death and the King’s Horseman

When the Subaltern Speaks: Race and Gender in Selected Works by ZadieSmith and LeilaAboulela

Exploring Third Space: Cultural Identity and African Traditions in August Wilson's Joe Turner’s Come and Gone (1988)

Self-reflexive Identity in Wole Soyinka's Death and the King's Horseman: A Metadramatic Approach

Finding a Third Space: A Postcolonial Comparative study of Verdecchia’s Fronteras Americanas and Fugard’s Sizwe Basnsi is Dead

The Subaltern Resurrected: A Study of Bahaa Taher’s The Sunset Oasis and Love in Exile

Re-narration In The Translation Of Selected African – American Plays

Revolutionary Violence Vs. Passive Resistance: Liberation Strategies in Amiri Baraka’s The Slave and August Wilson’s Joe Turner’s Come and Gone

When the Subaltern Speaks: Feminine Narrative Performance in Heather Raffo’s Nine Parts of Desire and Issam El-Yousfi’s Tears with Alcohol)*(