ArticleThe manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone
ArticleThe manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone
ArticleStaging Absence: Postdramatic Aesthetics in Martin Crimp’s <i>Attempts on Her Life</i> (1997/2007) & Rabie Mroué and Linah Saneh’s <i>33 Rpm and Few Seconds</i> (2013)
ArticleStaging Absence: Postdramatic Aesthetics in Martin Crimp’s <i>Attempts on Her Life</i> (1997/2007) & Rabie Mroué and Linah Saneh’s <i>33 Rpm and Few Seconds</i> (2013)
ArticleLiterary Verbatim Theatre between Actuality and Creativity: Reading of My Name is Rachel Corrie (2005)
ArticleLiterary Verbatim Theatre between Actuality and Creativity: Reading of My Name is Rachel Corrie (2005)