Betty Shamieh's The Black Eyed: the Intersection of Gender and Race

Staging Black Woman’s Self-empowerment and Black Feminism

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Women Empowerment in Tanya Markul’s “The She Book” تمكين المرأة في ديوان "كتابها" لتانيا ماركول

Forms of Intersectionality: Drama and Metadrama in Yussef El Guindi's Jihad Jones and the Kalashnikov Babes

Black Feminism in a Twentieth-Century British Play

Frustrated Brotherhood and a Need for Solidarity in Suzan Lori-Parks’ Topdog/Underdog

أثر النّظرية ما بعد الكولونياليّة في النّقد النسويّ

The Power of Female Figures in Joe Turner’s Come and Gone and Two Trains Running by August Wilson

SILENCED WOMEN IN HISTORY A FEMINIST-REVISIONIST STUDY OF CARYL CHURCHILL’S VINEGAR TOM (1976) & SARAH DANIELS’ BYRTHRITE (1986)