Settler Alienation in the American West: Alienation, Loneliness, and Colonial Masculinity in Ang Lee's <i>Brokeback Mountain</i> and Cormac McCarthy's <i>Blood Meridian</i>

Nationalism as Dystopia: A Reading of Sam Shepard’s The God of Hell

<I>In the Blood</I>: A Contemporary American Common (Wo)man Tragedy

Exploring the Metabolic Rift: An Eco-Marxist Reading of Sam Shepard’s <i>The God of Hell</i>

(Un)Leash the Self: Exploring Frontiers in (Re)writing America

Breaking Off the Fetters of Ideology: Edward Albee’s The Zoo Story as a Critique of the American Dream

John Updike's Terrorist (2006) and Yusuf Idris's al-‘Askari al-Aswad (1982): A Psycho-comparative Study

Identity Process and the Challenges of Immigration: Reading Chimamanda Ngozi Adichie’s Americanah (2013)

Karl Marx’s Metabolic Rift as a Blessing in Disguise in Nadine Gordimer's Get A Life

(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warr