ArticleThe Doubling Theory and the Second Self: Trauma in Paula Vogel's How I Learned to Drive and Margaret Edson's Wit
ArticleThe Doubling Theory and the Second Self: Trauma in Paula Vogel's How I Learned to Drive and Margaret Edson's Wit
Article“Words Gone with the Sea”, Exploring Lehmann’s Post-Dramatic Theatre in Jon Fosse’s I Am the Wind (2011)
Article“Words Gone with the Sea”, Exploring Lehmann’s Post-Dramatic Theatre in Jon Fosse’s I Am the Wind (2011)
ArticlePower in Critical Discourse-Analysis Studies on Political and Religious Discourse القوة في دراسات التحليل النقدي للخطاب الديني والسياسي
ArticlePower in Critical Discourse-Analysis Studies on Political and Religious Discourse القوة في دراسات التحليل النقدي للخطاب الديني والسياسي
ArticleMuller`s Atemschaukel (The Hunger Angel) between Cassandra and Lazarus: A Narrative of Silence Coffined in a Broken Gramophone
ArticleMuller`s Atemschaukel (The Hunger Angel) between Cassandra and Lazarus: A Narrative of Silence Coffined in a Broken Gramophone
ArticleBrechtian Epic Theatre Techniques: A Comparative Study of Alfred Farag’s Sulayman’s al- Halabi and Iakovos Kampanellis’ our Grand Circus
ArticleBrechtian Epic Theatre Techniques: A Comparative Study of Alfred Farag’s Sulayman’s al- Halabi and Iakovos Kampanellis’ our Grand Circus
ArticleLINGUISTIC PRESENTATION OF YOUNG ADULTS’ SUFFERING IN MORPURGO’S: KING OF THE CLOUD FORESTS AND THE WRECK OF THE ZANZIBAR
ArticleLINGUISTIC PRESENTATION OF YOUNG ADULTS’ SUFFERING IN MORPURGO’S: KING OF THE CLOUD FORESTS AND THE WRECK OF THE ZANZIBAR
ArticleThe Dialectics of Modernity and Tradition: Eliot and Adorno on Individualism and the Differentiation of Spheres
ArticleThe Dialectics of Modernity and Tradition: Eliot and Adorno on Individualism and the Differentiation of Spheres