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ArticleGrim Culture Vs. Wild Nature: An Ecocritical Perspective of Nathaniel Hawthorne’s The Scarlet Letter
ArticleWomen's Loss of Identity and Self-Degradation in F. Scoot Fitzgerald's The Great Gatsby and Margaret Atwood's The Blind Assassin
ArticleWomen's Loss of Identity and Self-Degradation in F. Scoot Fitzgerald's The Great Gatsby and Margaret Atwood's The Blind Assassin
ArticleMiddle-class Morality as Panopticon: A Foucauldian Reading of Elizabeth Barrett Browning’s Aurora Leigh and Henrik Ibsen’s A Doll’s House
ArticleMiddle-class Morality as Panopticon: A Foucauldian Reading of Elizabeth Barrett Browning’s Aurora Leigh and Henrik Ibsen’s A Doll’s House
ArticleScapegoating and the Dilemma of Motherhood: A Critical Reading of Doris Lessing’s The Fifth Child
ArticleScapegoating and the Dilemma of Motherhood: A Critical Reading of Doris Lessing’s The Fifth Child
ArticleEmpowering Nature and Women: Ecofeminist Analysis of Atwood's <i>The Edible Woman</i> and Watson's <i>Tiny Sunbirds Faraway</i>
ArticleEmpowering Nature and Women: Ecofeminist Analysis of Atwood's <i>The Edible Woman</i> and Watson's <i>Tiny Sunbirds Faraway</i>
ArticleWo[e]man in the Quest for Women’s Identity: Myth and Symbolism in Angela Carter’s <i>The Passion of New Eve</i> and Youssef Zeidan’s <i>Zil Al-Afa’a</i> [The Shadow of the Serpent
ArticleWo[e]man in the Quest for Women’s Identity: Myth and Symbolism in Angela Carter’s <i>The Passion of New Eve</i> and Youssef Zeidan’s <i>Zil Al-Afa’a</i> [The Shadow of the Serpent