The Development of the Visual Experience of the Recipient and its Reflection on the Artistic and Technical Development of the Cinematic Film

دور إعدادات الکاميرا في خبرة الانغماس أثناء مشاهدة السينما المجسمة

The aesthetics of composition in static and moving image between the subjectivity and objectivity

The Intellectual Orientations of Modernity & Post-Modernity Cinema; and Their Influence on the Cinematic Image

The Artistic Properties of Cinematography with Volumetric Screen Technology and Virtual Production

Design Concept for Interior Spaces that Based on the Philosophy of Movies

The formative features of lighting in film and its effect on the emotional response of the audience “experimental study”

Considerations of Producing Cinematic Films for Viewing on Digital Platforms Taking into Account the Human Eye Resolution Perception

The formative features of lighting in film and its effect on the emotional response of the audience “applied experimental study”

The Style as an approach to examine the optical vision in both painting and cinematography, The case study of Goya in Bordeaux film