The cinematic image is regarded as the portal through which the spectator travels from their reality to a parallel world created by the cinema; the closer the quality of the cinematic image is to the spectator's actual perspective, the more effective it is in creating that world. Furthermore, filmmakers now regard individual variance and integration factors as more critical to the psychological effect of the cinematic image on the spectator and what distinguishes it from other arts, allowing the recipient to live the entire cinematic experience inside their head instead of experiencing it outside. Besides that, as production and display technologies develop, this research compares the physiological limits of the spectator's vision and personal perspectives with the percentage of benefit the spectator derives from the quality of the final image presented to them. A survey was conducted among experts on the resolution of TV screens in relation to human eye perception and the connection between TV size and viewer perception. Include a definition of alternative digital cinema platforms along with the requirements some of these platforms have established for accepting their original works.