The fact that architecture has long been subject to the rule of a certain intellectual trend is linked to traditional forms of easy-to-understand and associated with concepts scattered between creative beauty and utilitarian function has imprisoned the sculptor's creativity in art exhibitions and made his role in architectural work confined to field or wall work on the body of the architectural mass, without which the architectural form loses its visual values that distinguish it from others.
Now, . Digital revolution has provided the ability to realize the sculptor's dreams of making his aesthetic sculptures an advantageous architectural composition.
This research seeks to reveal intellectual trends about the origins of forms as a methodology for dealing with sculptural architectural formation that defines the role of the sculptor and the how his design treatments are and their relationship to other disciplines involved in the architectural project, so the research tends to study many perspectives on the designers' perception of the ways in which architectural forms are formed and their transformations in the void to enrich contemporary architecture with a sculptural orientation. The research follows the descriptive analytical approach.