ArticleTheatre’s ‘Green’ agenda: An ecocritical analysis of Lucy Kirkwood’s proto-environmental play The Children
ArticleTheatre’s ‘Green’ agenda: An ecocritical analysis of Lucy Kirkwood’s proto-environmental play The Children
Article‘Earth Matters’ in Solo Performances: An Ecocritical Study of Stephen Emmott’s Ten Billion and Chris Rapely’s and Duncan MacMillan’s 2071
Article‘Earth Matters’ in Solo Performances: An Ecocritical Study of Stephen Emmott’s Ten Billion and Chris Rapely’s and Duncan MacMillan’s 2071
ArticleEnvironmental Concerns in Andrea James' Yanagai! Yanagai! and Drew Taylor's The Berlin Blues: An Eco-Critical Perspective.
ArticleEnvironmental Concerns in Andrea James' Yanagai! Yanagai! and Drew Taylor's The Berlin Blues: An Eco-Critical Perspective.
ArticleThe Urgent Literary Response to the Covid-19 Pandemic in David Hare's "Beat the Devil: A Covid Monologue"
ArticleThe Urgent Literary Response to the Covid-19 Pandemic in David Hare's "Beat the Devil: A Covid Monologue"
ArticleThe hope-sparking gloominess in Offill’s Weather and Greengrass’s The High House in the perspective of Naess’s theory of deep ecology
ArticleThe hope-sparking gloominess in Offill’s Weather and Greengrass’s The High House in the perspective of Naess’s theory of deep ecology