“Talking of the Fairy Road”: Modulations of the Seanchaí in Conor McPherson’s The Weir

Upsurges of Metatheatrical Dramaturgy in Heather Raffo’s 9 Parts of Desire

Metatheatre in Femi Osofisan’s Morountodun

Linguistic Levels of Foregrounding in William Butler Yeats’ Deirdre, The Hour Glass, and Purgatory: An Overview

A HERMENEUTIC VIEW OF BIBLICAL MYTHOLOGY AS REFLECTED IN SARAH RUHL’S EURYDICE AND IN THE NEXT ROOM

Myth as Collective Memory in Wole Soyinka’s Death and the King’s Horseman

At the Discourse-Myth interface: A Corpus-based Analysis of Mourning Becomes Electra

Cut and Dried: Seamus Heane’s the Burial at Thebes’ Appropriation of Sophocles’ Antigone

John Millington Synge's Riders to the Sea A pragmatic Analysis

Tragedy and Satyr Play