Chaos theory shares a common critical ground with the Bakhtinian Carnivalesque which is the literary phenomenon of change. Such a controversial aspect goes through three main consecutive phases that crystalize the ever-changing development of a literary text. These stages begin with the high sensitivity of the masterpiece to the initial change and how far a small event or an unpredictable scene could control as well as reverse the rest of the literary work. Moreover, this nonlinear dramatic change stands as a means of subversion so as to challenge the static norms and the fixed social, political or religious rules in a community. Indeed, this chaotic- carnivalistic subversion would give a way to the readers as well as the critics to question the rustic ideologies and cast light on other paths for rebirth and salvation. Therefore, change serves as the author's master guide towards the literary dynamic regeneration for elaborating and renewing what used to be considered changeless and consistent