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29017

A Whole World: Reading Global Byzantium Through Coptic Art

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Last updated: 04 Jan 2025

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Abstract

This paper explores the influence of the global culture of Byzantium on the social life of Egyptians in the Early Byzantine period, focusing on the appearance of common women on Coptic artefacts as one of the implications of this influence. The communication between Egypt and other parts of the empire secured its economic and cultural integration into the broader Byzantine culture, which viewed the Mediterranean provinces as parts of a whole world. To common women in Egypt, imperial women were the most significant manifestation of this global culture. They were presented by the imperial house, and perceived by locals, as paradigms of feminine power because of their reputed wealth, virtue, nobility and wisdom. Therefore, visual representations of women on Coptic artefacts display signs of feminine power that were inspired by the appearance of imperial women. This feature underlines the significance of Coptic art as a supplementary source for women's histories, which have been neglected, biased or omitted in contemporary literary sources.

DOI

10.21608/ijthm.2018.29017

Keywords

Women, Gender, Global Byzantium, Coptic Art, Byzantine Art, Empress, Social History

Volume

1

Article Issue

2

Related Issue

5125

Issue Date

2018-12-01

Receive Date

2018-08-23

Publish Date

2018-12-01

Page Start

8

Page End

38

Print ISSN

2535-2318

Online ISSN

2682-3632

Link

https://ijthm.journals.ekb.eg/article_29017.html

Detail API

https://ijthm.journals.ekb.eg/service?article_code=29017

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1

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Original Article

Type Code

824

Publication Type

Journal

Publication Title

International Journal of Tourism and Hospitality Management

Publication Link

https://ijthm.journals.ekb.eg/

MainTitle

A Whole World: Reading Global Byzantium Through Coptic Art

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Article

Created At

22 Jan 2023