Sam Shepard's The God of Hell An Ecocritical Reading of a play Essentially Political

Exploring the Metabolic Rift: An Eco-Marxist Reading of Sam Shepard’s <i>The God of Hell</i>

مظاهر الفاشية والوطنية في مسرحية "إله الجحيم" للکاتب سام شيبارد

The Ambivalent Holistic Nature of Nationalism explored in Arab-American Drama; the Long–Ignored Genre

Capitalist and De-Industrialized Identity: American “National” Allegory in John Updike’s <i>The Centaur</i> and Philipp Meyer’s <i>American Rust</i>

Power and Resistance in Post 9/11 Theatre

From Existentialism to Nihilism As Represented in Rajiv Joseph’s Bengal Tiger at the Baghdad Zoo

Science Fiction on Stage: Dystopia in Caryl Churchill’s Far Away

An Arendtian Reading of Eugene Ionesco’s Rhinoceros and Liwaa Yazji’s Goats through the Notions of Totalitarianism and The Banality of Evil

Linguistic Manipulation of Political Myth in Margaret Atwood's The Handmaid's Tale1