Racial-Cultural Stereotypes in David Henry Hwang's M. Butterfly(1988): A Deconstructive Attempt

Resisting Orientalism in Hwang's Fresh off the Boat

A Semiotic Reading of the East Asian-Canadian Restaging of the Immigrant Experience and Redress in Marty Chan’s The Forbidden Phoenix and David Yees’s lady in the red dress

جدلية الأنا والآخر فى الخطاب المسرحي الصيني-الأمريکي المعاصر The dialectic of the self and the other In contemporary Chinese-American theatrical discourse

Homogeneity and Hybridity in Selected Plays by Betty Shamieh and Diana Son

Staging the Male earch for Identity

Brave Expatriate New Worlds: Migration and Acculturation in Betty Shamieh’s Roar and David Henry Hwang’s FOB

Defiance of Docile Body: The Dynamics of the Female Body in Three Selected American Plays

Upsurges of Metatheatrical Dramaturgy in Heather Raffo’s 9 Parts of Desire

(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warrior