Narrating Trauma in Hoda Barakat's The Tiller of Waters and Don DeLillo's Falling Man

Cross-cultural Performativity of Gender Communication in Heather Raffo’s Play Nine Parts of Desire (2006)

Narrating (Her)story: The Politics of Commemoration in Yvette Nolan’s Annie Mae’s Movement

Negotiating Self and Place: Counter-Hegemonic Discourse in Suheir Hammad’s Poetry

Blogosphere Narrativity: Emerging Cultural Interventions

Inter-Generic Negotiations of Autofiction, Memory and History in Doris Lessing’s Under My Skin

Multi-dimensional Traumatic Aesthetics in Craig Wright's Grace

Orality vs. Literacy in Two of Arthur Miller’s Plays: A Corpus-Based Study

An Intersectional Reading of Women of Color’s Multiple Identities and Differences In the Poetry of Audre Lorde

Aboriginal Australian Autobiographies of Postmemory and Trauma in Wesley Enoch’s Black Medea and The 7 Stages of Grieving

Strategies of ATCKs' Transcultural Co-existence in Agha Shahid Ali's Ghazals

Globalization and Localization in Nabīl Nowaira’s Arabic Translation of Samia Serageldin’s The Cairo House