The research aims to emphasize the integrated relationship between theater and architecture and to study the concept of deconstruction at Jacques Derrida and deconstructive architecture and its impact on the plastic vision of the designer (George Tsypin). Also knowing the materials and modern techniques he used to express his vision, the mechanical transformation of theater and the importance of digital technology in theatrical performances and its spread in postmodern shows. The research method relies on a descriptive analytical approach for the most important performances of (Tsypin) affected by postmodern architecture. And it appears in his designs that he was influenced by the pioneers of deconstructive architecture (Frank Ghery) (Daniel Lepskind), He created a form of sculpture based on theoretical foundations, concepts and models that can exist independently as works of art itself and the ease of mechanical transformation of the theater and its use of technology and multimedia.