Pluralism, Acculturation and Assimilation in Amy Tan's The Joy Luck Club

Navigating Integration and Alienation in Migration: A Reading of Leila Aboulela’s “The Museum” (1999)

Alienation in Susan Darraj’s The Inheritance of Exile: Stories from ‎South Philly (2007): A Social Study

Father-Absence in Anne Tyler’s Dinner at the Homesick Restaurant

Loss of Identity and Alienation in Jean Dominique Bauby’s The Diving Bell and Lisa Genova's Left Neglected

Heterotopia and the Failure of Pluralism in the Post-Internment Era: A Foucauldian Reading of John Okada's No-No Boy

(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warr

Identity and Post-Colonial Discourse: Gene Luen Yang’s American Born Chinese

A Semiotic Reading of the East Asian-Canadian Restaging of the Immigrant Experience and Redress in Marty Chan’s The Forbidden Phoenix and David Yees’s lady in the red dress

Conceptualizing ‘Transnational Homes’ In Jhumpa Lahiri’s “When Mr. Pirzada came to Dine” and “Mrs. Sen’s”